Pandoratory

Repel Boarders

“You need to try and work out”, she said, “why you feel so uncomfortable about expressing your emotions”.  It’s the boxes again. I don’t like leakage; I don’t like stuff coming out.  Everything has to stay inside, where it’s supposed to be. All sealed in, watertight. The kitten in the submarine.

I wonder, though, whether the reason I don’t like leakage is not because I don’t want things to come out – but because it’s a sign that the surface has been broken, the defences have been breached, the structure is not watertight. If something can get out, that might mean something can get in.

It’s a Donald Trump-style Mexican border. It’s the Berlin Wall. It’s the 13 foot high welcome we’re extending to refugees at Calais.

Interesting images that sprung to mind there.  I’m not sure the writing part of my brain likes the idea of defences.  Perhaps they are not a good thing. 

Who’s that Trip Trapping Across My Bridge?

I have a vivid memory of my childhood Ladybird book The Three Billy Goats Gruff.  All these fairy tales have been changed now, watered down and sanitised. Red Riding Hood’s 21^st century wolf does not kill grandma, she hides under the bed. And the woodcutter, sans axe, chases him away – probably to a wolf sanctuary.  But in my early Sixties story, the troll ate the billy goats, and then when he was asleep, the littlest billy goat cut open his stomach, the goats jumped out. They filled the troll with stones and stitched him back up. Then when he woke up and paddled in the river, he sank to the bottom and drowned horribly. This was all illustrated in finely-executed water colours.

Which takes me directly to Virginia Woolf – because this is how our fascinating brains work.  She longed for a room of her own and financial independence, so she could write. She was an amazing writer, but she had an unhappy ending, walking into a river with her pockets full of stones.

When I choke down emotions, it feels like swallowing stones.  It’s a physical sensation I’m talking about, not a metaphor. I feel them stuck under my breastbone and sometimes I have so many stones sitting there that I can’t swallow anything else at all. Food gets that far and then I have to sick it back like a colicky baby.  Life can be too hard to stomach, sometimes. 

Better Out Than In?

I was talking to a friend of mine about my inability to express my emotions. He’s a sensible person and he’s known me a long time.  “You have to make a choice,“  he said. “You can get these things out – or you can learn to live with them inside you. If you’re keeping them in, you’ll have to accept them, make them a part of you”.

I instinctively didn’t like the sound of this.  I knew he was right – and I felt that the idea of keeping these things inside, incorporating them permanently, would not be good. So the quest continues. How to get it out? Maybe it will be like lancing a boil. Squeezing a spot. Vomiting cherry stones like the Witches of Eastwick. 

You’ve got to wonder what’s in there, the metaphors that come to mind.  Doesn’t sound like anything good, does it?  (Not too depressed to slip in a photo of Susan... there is still hope for me).

Disorderly

When my sister was a social worker, she had a client who could not let go of any part of his body. He kept his toenail clippings in jars. He kept all the cotton buds he used to clean his ears. He had jam jars of bogies and scabs.  I wondered what happened when he went to the toilet, or when he was sick, or when he got his hair cut. Turns out he never got his hair cut. I don’t know about the other stuff.

There is a man called Richard Gibson in Lafayette who has kept all his nail clipping in a jar since 1978. There is a photo in the Huffington Post. It’s vile.

I expect there is a name for this, I’m sure it’ll turn out to be a recognised disorder. Holding on to stuff can seem very, very wrong.